Showing posts with label Highway. Show all posts
Showing posts with label Highway. Show all posts

Exploring in Wilkes County

Sunday, January 15, 2017

Sunshine Beneath the Clouds
After yesterday's road trip with Toni, I was all ready to go out and photograph some barns and old cars.  I didn't do it yesterday because we were on a little bit of a schedule, and Toni never really feels comfortable going with me when I'm going onto people's property.  I just put a couple of places in the back of my mind for later trips.  I didn't quite know that the later trip would be the following day.  There was rain in the forecast, so I wasn't really able to get the vehicles cleaned up as had been my original plan.  Toni was at work, and I was kind of looking for something to do.

My creative energy had been zapped on Saturday with all the different scenes that Toni and I worked, so I wasn't really looking to go out with the camera.  However, the weather was nearly ideal for shooting barns and old cars.  It was pretty much like it was yesterday.  I debated with myself for a while, and finally decided that I might as well go and try to get something while the weather was good.  I keyed in the location on Absher Rd that I was wanting to start with after seeing it yesterday.  The trip wasn't that long, so I went ahead and loaded the truck.

The trip was uneventful, and I actually went a slightly different way to get to my destination, so I got to scout some other things along the way.  The problem that I was having, was I just wasn't feeling all that creative, so I was very proficient at talking myself out of stopping and pulling the camera out.  I kept telling myself that I was going out with a destination in mind, and that was what I was wanting to do.

Well, I passed by a service shop on the side of Traphill Rd that had a very nice collection of old cars in the back.  They were closed, and there were signs up all around that advised against going back there.  Well, I left a business card with the hopes that they would call me back some day, and I could get permission to be out there at some point.  It was a quick sideline, but at least I was starting to feel a little creative.

When I got to my destination, I pulled into the driveway and went up to the door.  I knocked, but there was no answer.  There was smoke coming out of the chimney, so either they were ignoring my knock, or they were busy doing other things.  Either way, I was not getting any permission for the property today.  I didn't wait around too long as I have been met with armed home owners too many times in the past, and didn't want to freak anyone out.  Well, I looked around at the potential, and decided that it would be worth a return trip at another time.

Nestled in the Trees
Well, my day wasn't going well at all.  I had been out for about 2 hours and had not found the first subject to photograph.  I tried going into Stone Mountain where I had seen a really pretty tree fallen in a field...but that didn't really catch my eye today.  I started to just drive around and get lost.  I honestly don't know where I was for most of this trip.  My GPS would not pick up, and there were very little road signs.  As I was starting to get a little bummed, I happened to see a small house tucked into an alcove just off of the road behind a fence.  It was not my normal cabin, but the way it set beneath the trees caught my eye.  I went ahead and pulled off the road, and pulled the camera out.

As I was setting it up, I really wasn't sure how it would turn out, but I figured I was here, might as well.  I started out with the 24-70mm lens so I could try and get the feel of the size of the trees in the background.  I just wasn't really getting excited about the compositions I could shoot due to some obstacles in the yard, but I kept on trying.

Deserted Stables
I finally decided to move my attention to the stables that were to the right of the property.  I was not happy with any composition on that subject, and made the decision to chuck the 24-70mm back in the bag and try my 70-200mm to get some isolations.  That seemed to work out much better.  I could pick out the details I wanted in the stable, and omit a lot of the other clutter.  I liked the right half of the stables, as there were horses' names above each of them.  The chains, the wood textures, and the different wood finishes seemed to work together in this image.  Now, I was starting to get in the right frame of mind to shoot this scene.  Armed with the long lens, I directed my attention back to the house once again.

The Vast Woodland
Still wanting to capture the trees, I worked on several compositions that included the trees.  The problem was, there was just no balance to the image.  Then I decided to isolate a portion of the house, rather than capture it all.  That was the trick!  I was able to get the scale of the trees, and use the house as a focal point.  I was definitely getting in the swing of things now.  I started to adjust the composition to see if I could add more drama to the scene.

Front Porch Swing
By using the driveway as a leading line to the porch, I got a really nice draw to the eyes.  There was a lot of detail to look at on the porch, but the red roof of the barn to the rear, called for your eye's attention.  This allowed for the your eyes to be pulled away from the house and into the trees once again.  The diagonals here make for a strong image, but still has the vertical impact of the trees.  While this is not necessarily in my normal wheelhouse, I was liking what I was coming up with, and more importantly, I was getting the creative bug back.

The Storm Clears
I got back in the truck and commenced to driving around once again.  I was seeing road signs, but I still had no idea where I was at.  The sky was starting to do some funky things as well.  I thought that I was about to be looking at a bright sunny day, which would change my plans dramatically.  Not wanting to shift gears just yet, I found an old hay shelter sitting right in the middle of a field.  The sky was looking really good above it, so I decided to stop and make use of what might be my last subject of the day.  I went back to my 24-70mm lens because I really wanted a nice wide angle to bring in the sky.  It was after all, the real subject of this photograph.  The shelter was just a focal point, a compositional tool, so to speak.

Simple Shelter
As I played around with the scene, I found that the opposite side of the shelter was actually a better subject.  It also worked well with the mountain in the distance.  The roof was almost like a leading line.  The sky was still really cool, and the good news was, the clouds were building back again.  Since I was unable to get any closer to the barn, I decided to pack up and keep it moving.  I was now fully ready to find something great to photograph.

Well...I was ready, but nothing I drove by worked out.  I would see a barn from the road and start to chase it down.  By the time I found it, I decided that it was not quite as photogenic as I had thought from a distance.  I was really starting to get discouraged with this hunting game that I play when I do my rural photography.  Since I still had no GPS, and was pretty much lost, I decided to stay lost.  Only now, I was starting to go down dead end roads to see what was tucked away from the motoring public.

Setting Roots
As I came around a bend in the road I saw it.  There was a perfect old Ford sitting there beneath the trees.  There was even a small pine growing beside the fender.  This was what I was looking for!  I got out and started to frame compositions using my 70-200mm so that I could avoid getting the distant sky in the compositions.  While the clouds looked great, the sky would just show as white beyond the trees, and I wanted to avoid that as best I could.  I was very fortunate that there were only 2 cars on this road for the 30 minutes I was there.  For the most part, I was shooting from the middle of the road.

Spider Web
Time Well Wasted
Since I had the long lens fitted, I thought I would go ahead and get some isolations on the truck.  I really liked the blue door, and the rusty patina on the truck.  The little pine tree was also a really nice addition.  I found a few compositions that captured all three of those elements.  Before packing things up though, I decided to swap out to my 24-70mm lens and try some other angles on this truck.

Hand Painted
Long Way Home
I'm learning that I really should be trying multiple lenses on the same subjects more often.  The different focal lengths always give a different feeling to the photograph.  These last two are much more open than the first ones.  Not that one is better than the other, just a different way to capture the scene.  After that 30 minutes had passed, I figured I had shot the goody out of this truck.  Also, for some reason in the middle of backwoods Wilkesboro, I was listening to Jason Derulo and Snoop Dogg being blasted from a bass heavy car stereo at the house to my left.  I wasn't sure what that meant, but I figured I would probably do better to head on.

It was starting to get late, and I was needing to find my way to a GPS signal to get home, but I couldn't resist that one last dead end road....Sounds like the beginning to a horror story doesn't it?  Well, this was anything but a horror story.  It was the icing on the cake of the day as a matter of fact.

Always Happy
As I came around the curve, I saw a bright yellow VW Beetle on the side of the road.  Man was it bright!!  There was no tag, and there was a lot of dirt and rust on the body.  It hadn't been derelict for long, but it had enough neglect to be a subject for my camera.  Plus, there is no other car that is quite as identifiable as these little Bugs.

I pulled over and got the camera out.  There was a house nearby, but this was well off of the property.  Since it was right on the side of the road, I didn't worry too much about asking permission.  As I was setting up the first shot of this car, I heard a 4-wheeler starting up.  Yeah, I knew what this was going to be about.  I hurried to try and get the first shot done, but I wasn't quick enough.  He pulled up behind me and asked what I was doing.  I explained that I was taking pictures of the car.  He advised that he knows people like to "lift things" from over here, and he wasn't wild about anyone who stopped.  With the camera set up, it was pretty obvious what I was doing, and he reluctantly gave me his blessing to photograph the car.  With a parting "There are video cameras watching you" he went back to the house.  Ok...I wasn't going to hang out here long, and I made sure that I was very obvious with what I was doing so as not to alarm anyone.

Slug Bug
The clouds were absolutely amazing above the Bug, so I had to make it a point to get a composition or two that highlighted those clouds.  From the rear it was easy to do.  I had difficulties from the front though.  There was a boat, next to a building right off the rear corner of the car.  There was just enough space for me to shoot the rear driver's quarter, and a tight shot from the passenger's front quarter.  That helped to keep things quick, which was good.

Sunshine Beneath the Clouds in B&W
When I was processing the images once I got home, I found myself wondering what this car would look like in a black and white rendering.  Ironically, it was the color that drew me to the photograph, but the monochrome version has so much more drama to it.  There is a different feel to it as well.  I am almost thinking that I like this version better than the color.  Regardless, it was this Volkswagon that really came through on today's road trip.  I'm glad that I stumbled on it when I did, and really glad I didn't get chased off of the property!

Once I was able to find a GPS signal, I was on my way home.  I still don't know exactly where I was, but I ended up on Hwy 18 going through N. Wilkesboro.  I'll have to remember this area as there are a lot of great subjects.  It is just a matter of waiting for them to ask to be photographed.  I also have leads on two other places in the area that could be quite promising.  For now, I have 15 pictures that I have deemed as keepers from today's outing.  Not too bad considering I wasn't even feeling like going when I started.

First it Rains, Then Nothing But Sun

May 22, 2014

Ever get that feeling that the universe is against you?  Ever find yourself trying something over and over without success?  I'm really starting to feel that way about working waterfalls these days.  I've been trying to get to both Linville Falls and Roaring Fork Falls for some time now because they are two of my favorite falls to visit.  Since the early Spring, I have been watching the weather and trying to figure out the best time to get out there.  For the most part, the cloudy days come after too long with no rain, and both of these waterfalls benefit greatly from increased water flow.  The few times when it appeared that everything fell into place, I was at work which meant there was no way I could get out there (its over a two hour drive away).  It just wasn't looking promising at all.

Last week, on my last day off, I saw a window where I might be able to grab a quick session with both of these waterfalls.  The forecast was calling for storms and rain for much of the day, but as I was looking, there appeared to be some clearing shortly after lunch where I could stay dry and make use of the residual cloud cover.  I grabbed my stuff and headed out just before lunch.  Much of the ride out there was in the rain, but the intensity was ebbing so I kept thinking positive thought.  In the last few miles of the ride, the rain started back up with a purpose though.  When I arrived in the parking lot, I chose to stay dry in the truck and hoped that it would pass.

I checked my phone and saw that the edge of the rain looked like it was over me based on the radar image.  However, the hourly showed rain for the next hour before clearing.  I had driven over 2 hours to get here...I opted to stick it out.  As the hour ticked by, the hourly forecast kept stretching the rain further out, until eventually there was no respite from the downpours in the near future.  With tail firmly tucked between my legs I started the truck and headed home without even opening the door.

I had unfinished business with the waterfalls, and I had been watching the weather yet again.  With rain in the forecast off and on yesterday, the water levels should be up, and there was approximately 75% cloud cover forecasted for both Linville Falls and Little Switzerland.  With the rain chances in the single digits, this was going to by my day!  I made plans to leave shortly after daybreak to time my arrival with the clouds around 9am.  I was a little bit late leaving because I was seeing some changes in the forecast, and Toni was telling me that there was a chance of rain now.  Despite this, I opted to give it a try since the extended forecast showed no more promising days for a very long time.

When I left, the sky was fairly clear, but I could see clouds in the distance.  That was falling right along with what the forecasts were telling me was going to happen.  I was very optimistic, and excited about getting out to see my waterfalls again after many years.  I stopped in Wilkesboro to get gas, and happened to see a couple of old pickup trucks which were parked right off of US 421 showing to be for sale.  They were the right body styles for what I liked to photograph, but one of them was spray painted black, and they were parked very close together.  I had other things to focus on right now so I didn't even stop to look any closer.

When I arrived at the Blue Ridge Parkway, I started to see rain drops hitting the windshield.  There were sporadic and I've worked in worse.  The main thing was I was seeing the cloud cover that was going to provide my diffused lighting that I was wanting for the two waterfalls.  The further South I traveled though, the more rain was falling, and the more foreboding the clouds were becoming.  I was starting to cuss under my breath and thinking that I should have just stayed home since this was turning into a repeat of last week.

About 10 miles before getting to Linville Falls the rain stopped and the clouds thinned just a little bit.  This was going to be perfect!  I had gambled and it had paid off!!

Don't cash out your chips before the dice finish rolling....

When I parked in the visitor center parking lot, I realized that it was awful bright.  I stepped out of my truck and took a look at the situation.  The sun was blazing through an opening in the clouds, but it looked like there were more clouds about to move into position under the sun.  I took a deep breath and grabbed my equipment for the short hike to Dugger's Creek Falls.  The clouds moved into position and everything started to come together for me.  I shimmied down to the actual water below the observation bridge and started to build my camera.  From experience, I knew that my 24-70mm would be sufficient to capture the composition I was after.  I added both a polarizer and my vario-ND filter.  I then waded out into the water and found my composition.  Unfortunately, my shooting location was dictated in part by the water level.  While it was nearly perfect for the waterfall, the actual creek was pretty deep where I liked to shoot from.

Serenity Cove
When I settled on a location, I set the camera up and framed my shot.  I managed to get a test shot for exposure before the cloud cover moved away.  All of a sudden the leaves started to glow with reflected light from the bright sun above.  I figured that I would just have to wait a little bit for the next batch of clouds to move into position.  Fortunately, my exposure was just about dead on, and the shutter speed was perfect for how I wanted to render the water.  Over the next 30 minutes I fired off another half dozen frames as the light changed, but couldn't get anything nearly as glare free as my first exposure.  Seeing that the sun was going to be a problem, I decided to change gears a little bit.  I would get in a bit closer and shoot a more intimate composition.  The problem was, I was at 70mm on my lens, and as far forward as I could get without fully submersing myself.  Fortunately, I had my trusty telezoom with me and that would give me the reach that I needed.

Hope Springs Eternal
I worked my way out of the water, back to shore.  I swapped out my lens for the 70-200mm and swapped the filters onto the front element.  I then waded back out into the water, only stepped back a little bit from where I was.  I got a little bit lower than I had been, and went for a portrait orientation with the lens at about 90mm.  Then it was a waiting game for the sun.  I looked up, and for the little bit of sky I could see, I was doubtful I would get a break from the harsh light.  I stood there, in the water for another 30 minutes waiting.  Either I was deeper than I though, or the Gortex gave up in my boots because the water found a way into my boots while I was standing there.  Nothing like cold mountain water swishing around thick hiking socks!

The waiting did pay off though as I managed to see the sun fading in time to turn the camera back on, fine tune the exposure, and crank off a quick frame.  Just like that, it was over.  Looking up, all I saw was blue sky.  Having gotten two different compositions from this waterfall, I decided it was time to pack things up and head back to the truck to assess the situation.  The barrage of sap that was now falling on me also prompted that same decision.

When I arrived in the parking lot, there was not a cloud in sight.  So much for 75% cloud cover in the area.  This was just no good at all.  Roaring Fork Falls is very unforgiving of directly light.  It was about 30 miles to the South, and I wasn't seeing any clouds in the distance.  I tried to access the weather on my phone, but I didn't have any service this time, so there was no way to check on the weather.  Not wanting to push my luck, I opted to forego Roaring Fork and save it for another time when I was assured some clouds.  It was time to bow out gracefully (well, not so gracefully because I wasn't sure I had anything usable), and start home while looking for other targets of opportunity.

There was not a cloud to be found along the Blue Ridge Parkway, and nothing all the way down the mountain.  I was pretty sure I was headed home with 11 frames from one waterfall and doubted that any of them would be good enough to keep.  Chalk this one up to another trek where I come home with my tail between my legs in defeat.  I'm not liking this habit one bit!


Cash Only
I was coming back into Wilkesboro and figured that I would check out the old trucks I had seen on the way up.  I mean, what did I have to lose.  If I couldn't do anything with them, I wasn't out anything but a few minutes of time.  I came to the lot where they were, and they were still there, and nobody was around.  I really liked the rusty truck, but the black one beside of it was a distraction I thought.  As I got closer, I was able to see that it was freshly rattle canned as the overspray on the windows showed.  It was a really cool bodystyle, but the paint just didn't quite fit my want.  The Chevy on the other hand was very cool with a wonderful patina along with multiple company logos on the door.  I decided to give these old trucks a go.

I tried very hard to isolate the Chevy from the Ford, and was able to do that rather well.  The problem though was the power lines above that came into the frame based on my composition.  I was going to have either power lines or a satin black Ford in the picture.  Since I can't stand power lines in pictures, I opted for the Ford.  At least the black color was subdued and didn't carry much visual weight when paired with the other colors in the scene.

Looking Through the Lens of History
I really liked so many aspects of this old Chevy, but the lighting conditions, and the Ford next to it really hampered my compositional choices.  There was more of this old truck I wanted to capture, but I just wasn't able to get it all while working the whole truck.  That is when Ton's voice entered my head.  She told me to pick out the details, and work the truck as an abstract.  Its nice that she can give me ideas when she is getting ready to go to work some 45 miles away.  I started to move around the truck to pick out the details that spoke to me.  I was actually surprised at how many of those details started to pop out at me.

Jack of All Trades
One of the things that initially caught my eye was the door on this old truck.  I could tell from the road that there was some sort of faded company logo painted on there.  It was only after looking a bit closer that I determined that there were several layers of logos on that door.  How cool was that?!?!?!  In addition to the door, I also really liked the spare tire holder, but I can't really explain why.  Fortunately, I was able to capture both elements together while also showing the stepside to give a visual clue as to what we are looking at.  The various colors that were present were just the icing on the cake, and I had a blast with post processing on this abstract art piece.

Used and Abused
I'm a sucker for flaking paint, Bondo, and rust...providing none of the above is found on my personal vehicle.  The rear fender of this old Chevy had every bit of what I like to find on these old vehicles, and it was there on one of the most well formed bedsides I've seen.  The curves were just wonderful, and they lead up to the curves of the cab and front fender.  These old trucks were works of art in their day, that's fur sure!  I wanted to highlight this view, and I got down low, and waited for a thin passing cloud to pass by to diffuse the light.  I snapped the picture very quick, and loved everything about how it was rendered.  I even liked the added design element of the snow tire on the back wheel.  This goes to show a little about the truck's history.

Age Old Debate
With all my abstract pictures done, I did a quick walk around to see if there was anything I had missed.  When I stepped back and looked at the trucks from the rear, I could just about see them lined up for a Saturday night drag race.  Of course, if they were to do that, I'm sure something would fall off of them before 2nd gear was grabbed...But I digress.  The look here spoke volumes to me.  Ford vs Chevy...how long has that debate been going on?  Which one of these two trucks would sell first with equal asking prices?  Which was better photographically?  The debate was still going on long after the engines were removed, and rust threatened the very structures of the trucks.  I don't know the answer to which one is best, but the two of them lined up together in a final showdown makes for a fascinating picture in my mind.

OK, I was starting to feel better now.  I might have something from Dugger's Creek Falls, but I was pretty sure that I had a keeper or two from the Chevy.  I was starting to get my optimism back again.  In just a few miles, I turned off of US 421 and started to snake my way East along the local roads.  I was looking behind houses and businesses for clues that I am starting to recognize when it comes to looking for these old vehicles.  I'm not sure exactly where I was, only I was in Western Yadkin County, but I passed by a metal building and caught a glimpse of a pickup and a small car to the rear.  I got turned around and drove into the gravel lot.  The front door was open, so I poked my head in and found the owners.

I introduced myself and asked if it would be OK for me to grab a few pictures of the cars out back.  One of the gentlemen stopped what he was doing and asked for what purpose I was wanting to take the pictures.  I was starting to have flashbacks of the armed property owner telling me that he didn't want me on his property.  I answered that the pictures were for my own personal purpose and that I just really enjoyed photographing old cars.  With that simple explanation he gave me permission to go around back.

Ran When Parked
When I got back there, there were only the two cars I had seen from the road, and one of them was a little two door thing that I didn't recognize.  Both of them were light colored which posed a difficult problem in the early afternoon sun.  Oh well, I was here, might as well give it a go, right?  I set up on the light blue thingamawhatsits.  It was cute, and gave me a slight comical feeling, so I figured it was worth a shot or two.  While I was waiting on the sun to get covered a little bit, I noticed that there was nothing in the engine compartment.  With that, and the fact that there were no front wheels on it, I can only assume that this car was one of those that the seller would say "ran when parked"...even though obviously its not going anywhere under its own steam.  The sun kind of cooperated with me and provided me a few seconds where I could trip the shutter and capture this little car.

Lacking Motivation
I normally try to avoid putting buildings in my compositions unless they are wooden and a bit more barnlike.  However, I really liked how the curve of the metal building played against the trees, and the deep blue sky actually had a puff or two of cloud in it.  Seeing some potential in this angle, I set up again and waited until the light was right before tripping the shutter.  Thank goodness for an intensifying polarizer to really pull out the colors in the bright sun.

Hangar Queen
There was just one other vehicle behind the building and that was the GMC stepside parked at the back corner.  I noticed many parts for this model truck inside of the business and I can only imagine that this was one of their parts trucks.  The colors weren't all that spectacular on this truck, and the rust was minimal, but something about everything as a whole begged to be photographed.  There was a complete rolling chassis just on the other side of the truck, so composition was going to be difficult.  However, I was able to get in close, and shoot at about 30mm to get the perspective that I wanted while using the truck to hide the frame on the other side.  I was able to get the front end that had not grill, and an empty engine compartment.  I also included the fact that the vegetation was growing up over the bed in the back which tells the story about how long this truck had been here.  The hints of blue behind the trees helped to bring out the teal patches of paint on a mostly faded background.  The dirty wheel and the surface rust complimented each other very nicely to boot.

After about 45 minutes here, I was getting very hot and decided it was time to get back in the A/C and call it a day.  I had a little over 65 frames from the day.  Considering the fact that nothing I was planning for panned out, I was pretty happy about that.  I wasn't too sure if any of them would come out though.  The sun had been so bright I was having a hard time reviewing the images on the LCD, other than to check the histogram.  I was conservatively hoping for three usable images when all was said and done.

Obviously, I didn't have high hopes for this happening because it was hours before I even looked through the pictures to see what I had.  Looking at the digital negatives, I was pleasantly surprised and my excitement started to build once again.  As I was putting them through post processing and converting them from the RAW format I found that I had quite a few more than I had originally thought.  Seven pictures would have been a 10% crop and I would have been absolutely thrilled with that, but instead I ended up with 10 pictures I deemed good enough to hold onto.  That is not too shabby considering how I had been viewing my progress all day long.  All I can say is, I"m glad I went, and I'm glad that I kept trying to get some more subjects in before getting home.

Standing on an Icy Slab

February 16, 2014

The weather lately has made it rather difficult for me to get out and do much in the way of photography.  We have been hit by a winter storm that dumped about 10 inches of snow and ice which looked pretty, but made travel difficult, and also introduced new chores at home...namely shoveling the driveway.  With several days of that behind me, it was time to start looking at the weather for a good sky.  I was rather disappointed that when the snow was over, we transitioned immediately to sunny skies with no visual interest whatsoever.  On my last day off before having to go back to work, the forecast promised cloudy skies up until about lunch time.  that was enough time for me to get out and hunt some targets for my camera.

I woke up nice and early, planning on heading out to Pilot Mountain, well....at least the overlook off of US 52.  I had worked that view several time before and have enjoyed playing with the light trails.  Today, however, I wanted to try out my 10 Stop ND filter and see what kind of movement I could record in the sky.  It was an experiment more than anything.  My secondary plan was to take advantage of the overcast and seek out some barns, or old cars along the roadside until it was time to get home and wash the salt off of the truck.

This was taken after all the color had left the sky
I arrived at the overlook at about 6am, an hour before sunrise and got things set up as quickly as I could.  I knew that I was going to need my 70-200mm lens to get the reach that I needed, so I wasted no time trying out different lenses for compositions.  I found my spot and composed the image the best I could in the dark.  I had to be very careful though because I was standing on some very packed snow with an icy glaze.  Nothing like keeping on your toes with the fear of slipping and falling.

I started out with several minutes worth of exposures, but things were still rather dark and flat except for the light trails.  I was actually finding that I had very little hope for this shoot because my cloudy skies had pretty much gone away and I was left with just a few passing puffs.  I continued on in spite of this setback though.  As the sun started to come up, I could tell that what clouds were in the sky were blocking the color and leaving me with very little to work with.  However, there were some clouds working their way into the picture.  In the name of experimentation, I grabbed my 10 stop filter and slid it in the holder.  I did some quick approximations based on my current exposure and found that 7.5 minutes should work out for keeping the proper exposure with the dark filter in place.  I couldn't even see through the lens at this point, so I just clicked the shutter and waited to see what happened.

The Scenic Route
Much to my happiness, early on with that exposure the sun popped out from the clouds behind me and lit the clouds in front of me with a nice warm hue.  I wasn't real sure how this would render in the camera since I have very little experience with this type of filter.  When the full exposure ticked past, I was pleasantly surprised that the color that was recorded was actually quite a bit more intense than what I saw in reality.  The image was slightly underexposed (due to an oversight with my aperture), but it seemed to work out very well.  What you see here is not a true representation of what my eyes saw, but it is what was captured by the camera, and represents what my intention was behind the image design.  I see areas for improvement with the long exposures, but I really do see some great potential when working with cloudy skies.

The Scenic Route in B&W
More out of curiosity than anything, I made a conversion over to monochrome with this image.  I applied some tweaking to the color channels  to make sure that there was sufficient tonal separation and found that the resulting image actually was pretty strong without the color ingredient.  A quick check with Toni and she liked this one more than the color one...so here it is!  Whether in color or black and white, I can still feel the hard packed snow beneath my feet.

As I was taking a few last exposures, that were getting into the 30 second rang, I decided that even with the dense filter, I was falling victim to the daylight more than I wanted to.  It was time to move on to something else.  Fortunately, while I was making these long exposures, I had been paying attention to what was going on around me.  I had been watching the clouds to my right move across the sky just on the other side of a fence.  I went ahead and grabbed the camera and started to slowly walk over to the other side of the parking lot.  As I was about to step down from the curb, I saw what looked like standing water about two feet into the driveway.  As cold as it was, I knew better than to step down without testing it first.  Yep...just as I thought...black ice.  Having slipped on ice before and broken a camera and lens, I was a little more cautious this time.  I found a place where I could step down a little more safely and walked across the driveway.  Once at the other side, I had a similar problem, and had to find an access point I could safely get up on the curb at.

I made my way to the fence and set things up.  I removed the 10 stop filter and checked my composition. I was able to get a little bit of the sky and a nice tree with a collapsed house at the base using my 70-200mm.  That just wasn't the composition I was seeing at the time though.  I was running out of time based on how the light was changing in the clouds, but I wanted a different composition so I slapped the 24-70mm lens on with a polarizer.  I checked the exposure and found that there was too much latitude for me to get a proper exposure.  I needed to add an ND Grad filter, and it needed to be quick!

With my now numb fingers I got my adapter ring and started to try and thread it on the front of the polarizer.  Imagine screwing a ring on another ring that rotates freely while not having any fine motor skills.  Not the easiest course of action, but I was determined to get this picture.  The clouds looked amazing, and I had to make my finger work just long enough to press the shutter button.

Crisp Country Air
With just minutes left to spare, I was able to crank off several exposures which captured the muted yellows in the clouds against the deep blue of the sky.  I was very lucky that in addition to a really great tree as a foreground anchor point, I had the collapsed house, as well as a barn on the ridge beyond.  Everything really flowed well in this picture, and the colors were tremendous!

Crisp Country Air in B&W
While I was looking at the image, my mind started to assign tonal values to the colors, and I started to see it in monochrome.  A couple of button pushes later with some tonal tweaks, I found myself looking at a very interesting black and white image.  I was sold on this one, and even Toni liked it better than the color version.

Shortly after taking that shot, I decided that the clouds had lost their color, and were even starting to break up even more than they had been.  It was time to pack up and move on to something else.  I started out looking for some more barns, but quickly found that the lighting was too harsh for that.  I changed the plan and looked for some more landscapes, but could find nothing that worked with the existing lighting.  After a couple of hours searching, I threw in the towel and headed home to get the trucks cleaned up for the upcoming week ahead.