If You Don't Like the Weather...

Saturday, May 19, 2018

Talking About Spring

As the saying in the North Carolina Mountains goes, "If you don't like the weather, just wait five minutes."  Having spent quite a bit of time in the NC Mountains over the course of my life I can say that there is a good deal of truth to that statement.  Today's trip tested my understanding of the weather patterns though.

The day started like most others, I got up with Toni at around 4am so that I could get an early start for what was supposed to be a pretty good day in the mountains.  The weather was calling for some morning showers which would be replaced by partly cloudy skies for the majority of the day.  The clouds were showing to be low, but there was only 40-70% coverage so I was thinking that there would be a great deal of drama in the sky as the current front moved out.  The plan for the day was to start out at Hawksbill Mountain doing a little bit of hiking before getting some great grand landscape shots of the Linville Gorge.  If the sky held out after that, I was going to move over to Wiseman's View to get the other side of the gorge.  In the event that it was too cloudy, I was going to shoot some waterfalls and possibly try a new one in that section of the Parkway.

Pink Crown

The weather was staying pretty consistent from Friday night through to Saturday morning.  The chance of a good sunrise was slim to none, so I wasn't worried about getting into position for a sunrise first thing in the morning.  Actually, that was pretty nice since I am usually racing to get set up before first light.  I had a nice easy morning and a relaxing drive to the mountains. I ran into some light rain, but I was expecting that and was expecting those showers to move out of the area around 8am.

Springtime Duel

As I started the ascent up Hwy 183, I ran into a different problem.  It seemed that the clouds were lower than I expected and I was actually driving through them.  Visibility was not great, and the rain continued.  The closer I got to Hawksbill, the less I wanted to make the hike to the summit for what I was sure going to be a wall of clouds.  I pulled over at the Brown Mountain overlook and checked the weather.  The forecast still showed the bad weather moving out, but it was now looking like 9am.  I figured that I would just come back to Hawksbill when the weather started to improve.  In the meantime, I started looking for a plan B, since I wasn't ready to commit to hiking to waterfalls just yet.

I ended up near the road to Wiseman's View and passed by the quaint little cabin that I had photographed not too long ago.  It was looking really good today with everything in full bloom at this point.  The rain had stopped, and the low clouds were gone for the moment so i pulled over.  I grabbed my camera with a 24-70mm lens along with a Singh-Ray Color Combo Polarizer.  I started working the little cabin up close and from the road.  I was having better luck with compositions because the rocking chair was no longer in the front yard, and what had been bare bushes were now full of color and excitement.  It was a much easier time this go 'round for sure.  I even got in close and shot some of the blooms.  Why? You ask.....Because Spring, that's why!

In the Pink

My enjoyment ceased fairly quickly though as I started to feel the distinct splats of rain drops on my hat.  It was time to call it a day for this location.  I had gotten everything that I wanted to get so I didn't argue too much.  By this point, I was starting to tell myself that if I just wanted five minutes that the weather would change.  I could do that....I continued on my way looking for other subjects that would work out with the conditions.  I went ahead and hopped on the Parkway to see how things were looking up there.  I went South since I knew that just a few miles North the road was closed for repairs.

Dewy Slope

At some point traveling down the Parkway I came upon a ridge to the right of the road that had a handful of trees growing.  They each looked pretty interesting in the fog of the morning so I pulled off the road and grabbed the camera.  This time, I used the 70-200mm lens and went to work on compositions for the trees.  The fog makes it very easy to photograph trees since the background is usually obscured for the most part.  There was a fine mist in the air, but for the most part the rain was holding off....for about five minutes.  Yep, you guess it.  After I had been shooting for about five minutes the rain came back with a vengeance.  I was forced back to the cover of the hatch on my 4Runner.  I waited about 10 minutes to see if the weather would change, but apparently the weather never got the memo.  I went ahead and packed up my gear and hopped in the truck.

You guessed it, the minute I cranked the truck up and hit the wipers, that was it for the rain.  Oh well, I had a few images of the trees in the fog and that was enough.  I continued South looking for mile marker 322 where English Falls is supposed to live.  There is supposed to be a little parking area near that mile marker which I was looking for.  It would seem that the parking area isn't well marked or even really established because I drove right on past it, and saw the marker for 323.  Oh well, it was now raining again anyway.  I just kept on driving down the road.

Royal Veil

I continued past Crabtree Falls which I thought about shooting, but the hike would probably take longer than I wanted to invest in things since I was hoping for a break in the weather.  It was looking like great waterfall weather though.  I opted to continue on to Roaring Fork Falls which has a short and very easy hike to get to.  I could hustle on this one if the weather decided to get better.  It didn't take too long to get to the falls, and in that time, the rain would start, and stop almost as if to taunt me.  When I arrived at the parking area for the falls I was thrilled to be the only one there.  I grabbed my gear and went on the half mile hike to the falls.

Awash in Cotton

The entrance to the falls off of the trail was really obscured by the trees and I almost missed it.  Fortunately, I saw the caution sign at the stream and found my way through the low hanging tree to actually get to the waterfall.  I could hear the force of the water and was looking forward to seeing how Roaring Fork was looking with all of the rain that we have been having recently.  I had seen the water very swollen downstream on the way to the falls and had very high hopes for the main event.

I wasn't disappointed with the condition of the falls.  There was a lot of force here, and fortunately, I was still able to rock hop to get into my normal positions to photograph it.  The difference was, I had to be very careful about where I placed the camera.  The water was moving with such a force that in most sections there would be too much vibration for a sharp long exposure image.  I couldn't brace the tripod against anything since there was a large log which was wedged at my position and was visibly moving.  That movement would have translated through the tripod for sure.

Spiritual Glow

I will typically shoot this waterfall with my 24-70mm lens, but that is because it usually doesn't have the size to really show that well at the top.  This time, I was pretty sure that the water volume would support the wider angle, so I loaded up my 16-35mm lens with a Singh-Ray Color Combo Polarizer and hopped out to the artist's rock in the middle of the water.  I started to set up shots from here and found that the base of the waterfall was a great foreground with how the water was broadcasting from the final drop.  I did the typical horizontal and vertical layouts here before moving to isolations of the falls.

For the isolations, I swapped over to the 70-200mm lens to really pick things out.  I had a lot of fun with the isolations, but the water was flowing very quickly which removed a lot of the subtle details of the route.  I was able to pick out a few down at the base as well as one up at the top.

Speaking of the one at the top, if you look at the image above, you can see what I was starting to see happening.  Yep, the rains had stopped, and the clouds have moved on.  That warm glow at the top is the sun shining through the trees.  Looking up to confirm, I could tell that the clouds were now thinning and leaving the area.  This was the weather change that I had been looking for!!!  It took more than five minutes, but it was worth the wait.  I could now get back on the mountain and get those grand landscapes I was looking for.

Presentation

I maneuvered back to a safe area to break the camera down.  As I was doing that, a hiker came down the path.  My timing was excellent because historically, if there is somebody else here, I will have to deal with them being in my shot just about every time.  I was glad that I was done here, and I was actually pretty happy with what I had gotten here as well.  On my hike back to the truck, I was hustling since I knew I could make it back in less than 10 minutes.  In that time, I passed another eight people that made me very happy that I had been there when I was.  Not to mention that the sun was too bright now for any good photography of the falls.

I didn't waste any time looking for altitude once I got in the truck.  I could see bits and pieces of the sky from down in the valley and was really happy with what I saw happening.  There were low gray clouds, high cumulus clouds, and lots of movement in the sky.  This was exactly what I was looking for!  I was excited right up until the five minute mark hit.  That corresponded with me arriving at the Blue Ridge Parkway.  Yep, here comes the clouds again.  In a period of about 30 minutes I had come full circle.  I was again driving in the rain along America's Favorite Drive.  Oh yeah, the fog was back too.  My hopes for a grand landscape were dashed yet again.

I figured that this was going to be the tempo of the day, and I might as well embrace it.  I decided to go to Crabtree Falls and shoot that one, although honestly, I wasn't all that excited about doing that waterfall.  There are only a few compositions that I like there, and I've shot it many times over.  The water flow doesn't make that big of a difference there either, except for my ability to get into position to get a foreground that includes the water flow.

When I got to the falls, I went to park and saw that the parking lot was about half full.  That was a very bad omen because this is one of those waterfalls where people can really get in the way quickly.  With my frustration over the weather still pretty active, I didn't want to add in that further frustration so I opted to continue going back up the Parkway.

I went ahead and dialed in the destination to English Falls just to see where the parking area was.  GPS took me right to it, or at least a little area off to the side of the Parkway.  I could see a trail leading from that parking area, but it didn't go anywhere.  It was drizzling and very foggy, but having seen pictures of this waterfall, I really wanted to try it in these conditions.  I pulled up Kevin Adam's description of the falls and the hike to it.  It sounded a little dicey, but I was willing to try it since I had never been here, and there were no others around.

I followed his description of the trail and found the access point which lead me down a really steep section that was rather slippery with the rains.  I continued to read and saw that there were cliffs and the need for ropes (which I had read were left there by other hikers).  Seeing how much difficulty I was having with the "easy" section of this hike, I decided that I had better wait until I knew more about the hike, or had somebody with me that was familiar with it.  The last thing I wanted to do was get lost in the woods, or slip and get hurt.  I was up there alone, and nobody knew where I was.  The only clue was my 4Runner sitting on the side of the road at MP 322.  Another time English Falls....another time.

The Water Calls

The hike back up the trail to the truck was not the easiest of things, but I made it with no problems.  The earth was very soft with the rains, and it just wasn't worth it to me to continue down to the bottom.  I got back up on the Parkway and did a little walking to see if there was anything that I could do with the foggy conditions.  There wasn't anything that jumped out at me, so I decided to go to Linville Falls and do a little shooting there with the increased water flow.

My goal was not to photograph the upper cascades or even the main drop because too much water, while impressive, looses that aesthetic quality that I love about waterfalls.  What I was wanting was a chance to photograph Dugger's Creek Falls under some different conditions.  When I arrived, the parking lot was about half full, and I could see a lot of families milling about at the visitor's center and on the bridge going to the upper falls.  There were nothing but empty spots on the side where Dugger's Falls was, and that was a good indication that I might get lucky and have it to myself.

Dugger's Creek

The hike out to Dugger's is a simple one that basically counts as a nature walk.  When I got to the bridge, I noticed two things.  First, I noticed that the water was flowing at a rate I have never witnessed before.  The dainty little waterfall was now a full on waterfall with the associated loud roar as it dropped.  Second, the trees were blocking much of the view of the waterfall from the bridge (which was getting more and more bouncy it seemed).  With this flow, I was actually really wanting to shoot from the bridge and get that perspective.  There was no way to do that with the trees the way they were.  I wonder if they ever come through and trim them back?

I hiked down to the base below the bridge and found that the water about knee level on me.  The only way I would be able to get into my normal position was to strip my feet and wade out there.  I didn't have anything to put on my feet to protect them, so I opted to skip it.  That was partly because I didn't see a real clear shot to the falls here either because of some of the vegetation.  Also, much of the character of the falls was lost because of the high flow.  Looking downstream, the water flow was showing some promise though.

I went quickly back out to the parking lot and followed the exit around the corner to where the creek runs under the road.  I know that you can access this section fairly easy from the road and I had forgotten to look as I came in to the parking area earlier.  Yeah, this would work out nicely.  I actually set things up on the top of the concrete culvert.  I used my 24-70mm lens with the Singh-Ray Color Combo Polarizer and started to pick out compositions.  As with the Roaring Fork Falls, I chose to make my foreground interest the final bit of drama as the water spilled over the rocks.  The patters of the water over the rocks was just glorious here, the best I had ever seen.  I shot a few different compositions here, including some isolations.  In the end, I thought that the overall mountain creek shots were the strongest.  I think that it works as both a landscape and a portrait shot, which is nice.

At this point, I figured that I might as well go and see what the upper cascades looked like since I was here.  Wait a minute, has it been five minutes already?  The sun was peeking out again.  It looked as though the sky was going to clear.  I knew it would be temporary, but I was excited.  Looking at the people coming into the parking area in droves, I decided that I would avoid the crowds and look for that grand landscape once again.

Flat Top Rock

I got back out to the Parkway and started to check out the fences in the area.  You know I love some fences!  None really looked ready to have their pictures taken so I continued on down the road.  I could see hints that the sky was looking good, but I was not finding anything I could put under it.  I knew I was getting to the end of the road...quite literally since all traffic was detoured just North of Beacon Heights.  As a last ditch effort, I pulled over into the Flat Top Rock parking area and found that there were only two other cars there.  I had done this hike once before and knew it was simple.  I grabbed my gear and started my way up the mountain.  I could see movement in the sky, and differences in the clouds.

My hopes were high for the first time.  When I got to the top. I could see definition in the clouds, but more were rolling in.  I started to look around to find something that I could put in the foreground.  There was less to work with up here than I recalled, but the last time I came it was in the early Spring and there were more bare trees around.  I finally settled on an area where I could see off in the distance for a good way.  There was a little bit of character to the clouds, but they were getting darker and denser by the moment.

At this point, I figured "why not?" and put the Rokinon 14mm lens on the camera and positioned myself in a way that captured the rocky surface of the bald that I was on as well as the mountains off to the distance.  It was not the image that I was hoping for, but it did have a lot of depth, and some visual trickery thanks to even lighting that made it look like the rocks at my feet just trailed off to the distant mountains without actually going through a valley at the base of Flat Top Rock.  The clouds were ominous to say the least, and there was a strip of bright light at the horizon which helped to bring the attention to the distant mountains.  It was a slightly different image from me, but one that I think has enough merit to be included here.

I kept the Rokinon attached and went back to the trail where there were some really cool trees.  The wide angle of the lens made for a perfectly cool composition, but the sky in the background was just too featureless and white to really work for what I was wanting.  It is a great concept and it works well with the wide angle.  I'll be back to try that shot again some time.  As I continued to look around, I realized that it was starting to rain once again.  It was getting harder and heavier too.  I took that as my cure to get back to the truck.  I loaded everything back up in the bag and started the return journey.

By the time I got to the truck, it was starting to pour.  I tossed everything in the back and hopped in the driver's seat.  I got back on the Parkway going North just to see if the road was still closed.  Yep, fenced off and everything.  There was a detour that took me to Hwy 221, which was going to take me to Blowing Rock.  I noticed as I made the turn that there was a lot of debris which had been brought into the roadway by the flood waters recently.  The rain was really picking up now and the clouds were back hanging over the road like a fog.  Visibility was poor, but good enough to see that Hwy 221 was closed not far from where I entered it.  So let me get this straight...the detour was closed?  Yep, that was the size of it.  The rain was getting harder and harder.  It was after noon, so I took that as my cue to head home.  I was needing gas anyway.  My day was done.

As I got to the base of the mountain the rain stopped and the sky cleared.  The clouds looked awesome, but they were still low.  I've fallen for that trick already, and I was about at Bingo Fuel.  I wasn't able to get back into the picture game with the gas that I had available.  I was tired, wet, and completely unsure if anything that I had shot was going to turn out.  I had thrown in the lens cloth.

But wait...there's more!

Chevy Sedan

There I was driving down the road listening to something on the radio completely disengaged from photography and I happened to look over one of the side roads visible from US 421 on the edge of Yadkin County.  I saw the distinct round rear end of a '40's era car.  It was parked at the edge of a parking lot.  OK, this was interesting.  I made the next exit and picked up the side road at the next intersection and went to looking for it.  I found it in a very large commercial area with a big parking lot.  It was placed for sale at the road.  I started to look around.  There was a Toyota for sale to its left that I had no interest in, there were buildings behind it, and RV's and dump trucks in front of the buildings.  The sky however was awesome!  The patina on the car was nice, but I'm not a big fan of white cars for this kind of photography.  The patina on the back was pretty nice though, and the car had character.  It was worth giving it a shot to see what I could do with it.  I parked the truck and hopped out.

Holy crap!  It was hot here!  After being used to the mountains all day, I wasn't expecting the sun to be so hot, but it was.  Oh well, I was here and needed to get to work.  I pulled out the camera and opted for the 24-70mm lens which is a great automotive lens for the flexibility that it offered.  I also knew I was going to need to get tighter than 50mm to omit the clutter in the background of the car.  I wanted enough angle of view to capture the sky and clouds though.  With the white car, I needed the blue sky to tone it down, and the white clouds would make for excellent complimenting elements.  To make sure that I had good contrast in the sky, I fitted my Singh-Ray Color Combo Polarizer to the lens as well.

Four Star Chevy

There wasn't much that I could do isolations on with this car.  The white paint really hampers my creativity for these kind of shots.  I did find a few nice lines on the front of the car that I could work with.  My only isolation that I felt like keeping was this abstract one with the hood emblem.  By going off to the side, I was able get this angle up high which made the chrome grill a complementing element to the emblem which was much higher than the grill.  More importantly though, my shadow was not in the picture at this angle.  I liked how the patina framed the image to the left along with the rust on the bumper to the lower corner which helped make the grill stand out.  It was an odd image and I wasn't quite sure how I would like it, but the more I look, the more I really like what I shot here.

Time Passes

Since I was starting to have a lot of fun with this car, I opted to go a little crazy with it.  I had been thinking 50mm or tighter to avoid the clutter around the car, but I also realized that by going wider, I could minimize the size of the background to where it was no longer intruding on the car.  I swapped out to my 16-35mm lens and shed the polarizer.  One thing I have learned with wide angle lenses, they don't like polarizers when shooting a blue sky.  The sky polarizes differently depending on the angle you are shooting, and with a 90+ degree angle of coverage, you will get some strange effects in the sky if you aren't careful.

I found a few compositions that I thought worked, and one that I really liked in a portrait orientation.  The clouds had all but left the scene and the sky was rather boring above the car.  I looked up to see if more clouds were on the way.  I could see movement indicating that there would be a few more coming overhead shortly, and they were moving at a visible pace.  Hmmmm, that could be a nice addition to the image.  Moving clouds over this car with a dynamic perspective.  I needed to do a long exposure on this one.

I grabbed the Lee Filter Holder and my Singh-Ray Mor Slo 10-Stop ND Filter and mounted it to the end of my 16-35mm lens.  This reduced the light a full 10 stops, and by stopping the lens down to f/22, I was able to get an exposure of 20 seconds.  It wasn't much, but it was going to have to do.  Short of adding my other circular ND filter which would then force me to go to a tighter focal length due to vignetting, I had no other choice.  I waited for the clouds to come over and shot a series of four long exposure images.  This is the one where the clouds were precisely in the position that I was wanting.  The LCD showed that I was in pretty good shape with movement, but just to be sure, I pulled the filter off and set the exposure to compensate and fired off a normal shot that froze the clouds.  That way, if the long exposure didn't work, I would have one to fall back on since I really liked the composition.

On a Break

After that series, I was feeling pretty good, and had been looking around.  There was an old '40's Ford pickup parked against the building that I was finding pretty interesting.  With the wide angle lens still attached, I decided to go and have some fun with this old truck.  My goal was to get in front of it (hence having the wide angle lens) and shooting it with the clouds to the rear.  As I approached it though, I found that the scene that was unfolding was kind of interesting with the truck parked next to a bush with the water stains on the pavement  pointing towards that bush.  The truck was also pointing it would seem.  I set the camera up at the back corner of the truck and found that the side of the building with all of the doors really looked odd, and I was having to include the roof and sky above.  This was just too complicated, so I moved in a little and tightened up the shot.  I purposely cut off the back of the truck and made the wheel and fender the dominant foreground.  Using the truck in the fashion really provided a nice balance of elements in the scene and kept it simple.

Not having a polarizer attached wasn't a problem either since the truck had no glass, and there wasn't too much glare on the paint either.  That mint green was a very cool shade and worked nicely with the color tones that were present.  I was looking forward to seeing how it would look against the blue sky above.  I moved to the front of the truck and tried to find the right angle.  No matter when I put the camera, I wasn't able to get a suitable perspective on the front of the truck.  Everything looked like I was trying to do a fisheye shot of the front of this curvy truck, and that was just too much.  I abandoned my attempts at getting the front of the truck.  Had it been moved back even five feet things would have been different though.  It was OK, I was really feeling good about the Chevy I had just shot, and it was actually getting late in the day.  I was already looking at getting home a little after 5 at this point, which is a full 12 hours after I had left.

It had been a really fully day, and one where I had seen monsoon rains, fog, clouds, sun, and clear blue skies.  The patterns developed with the routine of a Magic 8 Ball.  I still wasn't sure about what I had captured.  I was hoping that they turned out well, but I was really worried about it.  I hadn't gotten what I went out to get, but found so many things that I wasn't really considering photographing.  It was a day of go where the wind blew and shoot what presented itself.

Chevy Sedan in B&W

When I finally got around to starting to process the images it was after 7pm.  I had already decided that I was going to be happy with six images out of the day's pictures. I believe I had shot a total of 136 frames during the day, and that would be about five percent.  I moved through and tossed out more than half of the images in the first pass.  I finally whittled them down to about 25 images that I would start to process and work with.  I tossed out another nine of those images because there were elements that I didn't like in them.  The remaining 16 were pretty good, but one of them deserved another run through the processing engine.  That simple Chevy under the clouds was screaming for a monochrome conversion which I did.  I loved how it turned out, and with a few tonal tweaks, I felt became its very own image.  Both the color and the black and white stood on their own and I really liked how they both turned out.  This has now become image number 17 for the day.

I can't express how happy I am that I have so many keepers from the day.  I spent the entire time thinking that I was shooting junk except for just a few images that I was kind of excited about.  It was a real surprise to get home to find that so many of them came out so well.  The bad ones weren't even really that bad.  Slight composition shifts make the world of difference though, and there were a bunch where the shifts I made didn't work as well as I had hoped.

At midnight, I found myself writing here and falling asleep at the keyboard.  It was time to call it a night.  I always try to get the blog entry done on the day that I shoot the pictures, but it wasn't happening.  I mean seriously, who wants to read an entry that looks like this.

• So, with the clouds coming back, I startendnnnnnnnnnnnnnnnnnnnn tso s set he camera upa     apllllffffffffffffffffffffffffffffffffffffffffffffffffffffffffffffffffff

So, here we are on the following morning and I realize that I still had about two hours of writing to complete the entry.  There was no way I would have been able to pull that off.  So, thank you for your patience, and I hope that you enjoy reading about my day trying to stay ahead of the weather and failing miserably.  But at least I managed to take what I had available and make the best out of it.

A Day at South Mountains

Saturday, February 24, 2018

Waterfall Walk

The weather has really not worked with me for the past month or so.  Every weekend it has been raining, except for that one where the sun was blazing all day long.  I've kind of gotten used to the routine of hiking in the rain and leaving my gear opened up drying over night.  When I saw the forecast for this weekend, I was prepared for that same chain of events.  There was clouds and rain for the vast majority of the day on Saturday, and more of the same on Sunday.

I figured that this would be another opportunity to get some waterfalls done, and what better time to try and find some new ones.  I know there are some other cascades at South Mountains which I have not found yet.  I also wanted to try and photograph the main waterfall, High Shoals Falls.  It has been probably 10 years or more since the last time I have ventured up the stairs to shoot it.  Arguably though, it is not all that photogenic of a waterfall.  To make matters worse, the boardwalk really gets in the way despite giving you a very close view of the waterfall.

Soothe the Soul

My day started as any other photography day...Early.  I woke up with Toni at 4am and worked on getting on the road at 5 so I could be at the park when the gates opened.  The most current forecast called for some light showers at 8am and cloudy until sometime in the afternoon when the clouds would start to break up.  I wanted to give myself the most time under the clouds.  As I was heading down the road, I could tell that there were very little clouds in the sky.  I kind of expected that as there was only supposed to be intermittent cloud cover for the first part of the day.  The closer I got, the less clouds I was seeing though.

This was really starting to be an annoying pattern for this park.  It seems that every time I come out here expecting clouds, I get bright blue skies and difficult lighting.  I was starting to think that I was going to spend four hours on the road for less than ideal lighting once again.  I didn't have a plan B in mind, and knew that much of the park was in the shadows early in the morning.  At least I had that working in my favor.  I was looking around as I approached the park to see if there was something that I could get with the existing lighting.

I did see an old tractor by a shed that I had seen the last couple of times out, and had always wanted to photograph.  The lighting wasn't quite right, and I wasn't sure I could get it from the road.  I filed it away in my memory for later as I had done many times before.

Blue Sky Reflections

When I got to the park, the sky was blue overhead.  I could see some light clouds in the distance, but they were moving away.  I could see that the creek adjacent to the parking lot was in the full shadow of the mountain.  I hadn't really worked this area before since there were usually fishermen in the water.  This time, it was all empty so I decided to go and check it out.  I found a nice set of cascades next to an overlook, so I decided to maneuver my way down to the water.

Looking at things, I figured that doing isolations would be the best bet.  For that, I decided to use my 70-200mm lens with a Color Combo Polarizer attached.  I started working on compositions and found that my exposure time due to the lighting was between 13-30 seconds.  That was plenty for a nice abstract flow of the water.  The trick was picking areas of the cascades that made sense and had a cohesive flow to them.

One of the neat ones that came from this section is the picture directly above.  Since the sky was blue, the water was reflecting a nice blue hue just before dropping over the rocks. The rocks had some warm tones on them which balanced out the overall cool shade of the water.  It made for a very interesting composition with the color pallet.

Uneven Flow

There is just something about cascades that really hypnotizes me when I see them.  I could just look at the moving water for hours.  The patterns of the rocks is what makes it all so interesting.  This section of the creek really illustrated this quality for me.  The rocks were strewn about with total randomness, yet everything just fit together so well.  It is the wonder of nature, and I was so happy that I was able to photograph it.

Not wanting to spend all my time with this section of the creek, I decided to move on down the trail.  My ultimate goal was to get to High Shoals Falls and go beyond it to complete the loop trail.  I told myself that I wasn't going to bother with scenes that I had photographed before unless they were noticeably better than previous times I had visited.  That concept was put to the test at the fork in the creek.

When I got there, I could see that the water was moving rather nicely, and was possibly a little more voluminous than previous attempts.  However, there wasn't anything in the way of compositions that held a candle to my recent Autumn shots from this area.  I quickly decided to move on down the trail.

Taking a Bow

My second test came just a few steps down the trail when I arrived at my favorite yawning tree.  I looked and found that the water was looking better than my last time here.  The lighting was definitely better as well.  I decided to stop here and give it a few shots.  I opted to use my 24-70mm lens with the same Singh Ray filter on the end.  I got in position on one of the rocks that gave me the best view of the little waterfall as it plunged between the rocks.

I was missing the Autumn colors this time, but I was thinking that the overall image was a good bit stronger than what I had several months ago.  The anchor of the image was the waterfall, and the tree that I love so much worked the midground.  From this angle it really looked like the tree was taking an overly dramatic bow...so of course, that became the title of the piece.

Kinetic Energy

I still wanted more of the tree, and decided to flip the camera on its side to compose a portrait shot of the scene.  This allowed me to emphasize the tree a little bit more.  The only problem with the tree was that there were a couple of fallen branches that were poking over the rock that I had initially seen as a distraction for an up close shot of the tree.  However, upon looking at it once again, I decided that the tree looked like a skier getting ready to jump off of the rock, while the fallen branches looked like the skis.  I know, I read too much into a scene, but you have to admit...you can't help but see it too.  With the arms sticking straight up, the body leaning forward, and the skis about to clear the rock, there is a lot of implied energy here.  Add to it the motion of the water, and this image is full of motion.  It is one of my favorites from this location because of that.

From here, it wasn't too long before I got to my favorite section of secondary cascades.  The first one had a lot more flow to it than normal, but I wasn't sure I wanted to try shooting it just yet.  I moved to the other side where I have always had good luck.  Ironically, there was too much water on this side.  I just wasn't feeling very good about making good pictures with the current flow.  I opted instead, to go back to the other side, and climb over the railing.  Once on the ground, I was seeing some pretty good compositions from this section.  One of which is the opening image to this entry.  It is also the first time I have used the boardwalk in a composition.  Considering I always try to eliminate the man made aspects in my waterfall pictures, I actually really like this shot.

A Sacred Splash

With the waterfall being rather narrow and tall, I thought that I would do pretty well using my 16-35mm lens with the polarizer.  It worked out rather well, and allowed me to include foreground interest, as well as getting in close to the lowest cascade to emphasize it in the composition.  I forget how much fun the wide angle lens can be at times.  I enjoyed playing with it on this section that normally I would have used my middle lens on.

Moment in Time

I spent a pretty good amount of time here moving around an inch here, and an inch there.  It was all about how the different cascades lined up, and how they related to the other elements in the scene.  With the perspective of the super wide angle lens, I was constantly reminded that position is everything.  I had to be aware of every aspect of the composition, knowing that I was constructing every element as they related to one another.  No point and click here, that's for sure!

Eventually, I determined that I had everything that I wanted to get, and I packed the camera back up.  I gave the next section a second look, but I was positive that there was just too much water for the images I was wanting to make.  It was time to start climbing the stairs at this point.  Normally, I would just turn around since I am just not a fan of High Shoals Falls.  Today, I had promised myself another shot at it though.  I bit my lip and climbed the hundred and some steps to the overlook.

High Shoals Falls

As you can see, this is pretty much just a steep water slide.  There is not much in the way of details in the water.  If I were to have used a long shutter speed, it would have just been featureless white streaks down the rock.  That wasn't what I was going for at all.  Looking at the scene, I decided that my 24-70mm lens would be the best tool for the job, along with the Color Combo Polarizer.  There were several issues that I was going to need to address before being able to shoot though.

First, there was a nice overlook that got you right up to the waterfall.  This same overlook appears in so many pictures of the waterfall because you just about can't avoid it.  My solution was to set the tripod up on two legs, and swing the third over the railing for stability.  This was where having independent legs is a must for a landscape photographer.  With the ballhead positioned just inside of the railing, I was able to compose an image that didn't include the railing.

Second, since I was so close to the waterfall, I was getting a lot of spray which was going right on my front element.  There was no way to block it and still have a field of view.  My solution was to work very quickly and minimize the time in the spray.

Third, the wooden surface that I was set up on was less than solid.  When I moved, the camera would move.  That meant that when I was ready to release the shutter, I had to remain rock steady and even hold my breath as the timer went though the 2 second countdown and released the shutter for a fraction of a second.

Desperation

With all of this, it is a wonder why I even tried to photograph this waterfall.  The images still aren't knocking on the door to my all time favorite waterfall images, but it was nice to shoot it again after so long avoiding it.  I did manage to get an intimate picture that is a little bit thought provoking...at least for me.  I had never noticed that one of the rocks near the bottom looked like head.  For what ever reason, today I saw it as just that.  The large branch was situated as if to help the person being overtaken by the water.  It could also be the object holding the person under the water.  Sadly, when I look at this picture, I see Toni dealing with her struggles with Bipolar Disorder.  The medications which are supposed to help seem to cause so many other issues, and I can see her desperation as the days go on.  I've always wanted to do a photography project to illustrate Bipolar Disorder.  I think that maybe this one could be part of that project.

Cascade Waves

Back to happy thoughts...

After about four times here, I finally decided to continue down (or rather, up) the trail.  There were more steps leading to the top of the waterfall.  I'm thinking about 200 more steps give or take.  I wasn't sure what was beyond High Shoals Falls, but I was sure I was going to find out today.  It actually didn't take too long to get to the top.  When I did, I found a couple of small cascades along the rocky surface.  They weren't much, but I was here, I might as well get the camera out.

I would have loved to have gotten down to the water level, but I saw plenty of signs saying not to cross the fence.  These signs were a little different than the others I've seen at waterfalls.  These actually had the General Statute number on them.  That make it a little more serious, and I opted to follow the direction of the signs and stay on my side of the fence.  Because of that, I was going to need the reach of my 70-200mm lens.

Spilling Over

I needed to get as close to the water as I could to get the angles I was after.  In order to do that, I did something very similar with the tripod as I had done at the waterfall a few minutes prior.  This allowed me to get much closer to the railing than I would have been able to otherwise.  I started to hunt compositions, and I fired off several frames as I attempted to capture what I saw.  It all came down to the angles, and incorporating the elements that found important in a way that made sense.

Liquid Fingers

Because of where I was having to shoot from, isolations turned out to be a great compositional solution.  I was able to pick out the bits of cascades that I found most interesting.  I also found out that the water was reflecting the colors of the rocks as well as the trees on the shore.  This gave some interesting color tones to the image.  Of course, it was the textures of the water that I was most interested in.

When I was satisfied that I had all I needed from this location, I continued down the trail.  I didn't know what else I was going to run into, but was hoping that there were more pictures to be had.  Well, there really weren't.  The clouds which had barely stayed in the sky were now pretty much gone.  The lighting was not great at this point, and I found myself concentrating on where I was stepping since I was hiking steadily down a steep hill at this point.  There would have been a few interesting things in the fog, but for the present conditions, it was just a nice hike with no reason to take the camera out.

I thought about going down another trail, but the sky wasn't really looking all that great, so I decided that I would go and see about maybe photographing that tractor I had seen on the way in.  I loaded everything up in the truck and started back out of the park.  The tractor wasn't far from the entrance, so I started looking once I got out of the park.  When I saw it, there was a guy working on a truck right beside of it.  Could it be that easy?  I pulled into the driveway and introduced myself to him.  I explained why I was there, and found that he was very willing to let me photograph the tractor.  Jackpot!

Just Tired

As it turns out, I picked a great day to be here.  After seeing it in front of the shed for some time now, I was being informed that there was a buyer coming to pick the tractor up later this afternoon.  With only hours to spare, I had gained permission to get up close and personal with the tractor.  I noticed that there was a good bit of clutter on the ground, but I thought that it helped to tell the story of "redneck living."   That was how the owner put it when he asked if I just liked photographing "redneck living."  I had to laugh, because in all honesty, I guess I do.  Regardless of how you label the scene though, it all worked together so well.  The siding on the shed matched the oxidized paint on the tractor, and both objects had a similar accent color of red.  The balance here was perfect, and quite frankly, it looked staged for the purpose of photography.

I was very lucky that for the time that I was working the tractor, the clouds had covered the sun just enough to give me that all important even lighting.  I can't express how lucky I was for this scene to work out when it did.  Had I passed it by once again, I would have never seen it again.  The conditions couldn't have been any better which made it an even sweeter victory.  And the icing on the cake...an old house being held up by a tree.

Delicate Balance

Off to the side of his property was an old house that was barely standing.  In fact, it was two trees that kept it from collapsing it looked like.  I had seen this house from the road, but never thought it worthy enough to stop and shoot.  Now that I was out with the camera, and had access to the field, I really had not reason not to photograph the old house.  I'll admit, it was not the easiest of compositions.  I couldn't get it from the front because the fallen covered porch ruined the flow of a composition.  The tree nearly blocking the window made it difficult to get from the side, and shooting from the rear corner was an odd composition.  It was my only choice though, and that was just what I did.  I shot one singe frame after attempting about a dozen compositions.  I figured if this wouldn't work, nothing was going to.

After this, I packed the camera up and thanked the property owner before heading back down the road.  I spent the next hour looking for other subjects.  I saw a few potential compositions, but the light was just too harsh at this point.  I will just have to come back on another day to try to get some more rural scenes in Connelly Springs, NC.

The day was actually rather successful with 100 frames saved in the camera.  Of those, I found 15 that were worth keeping.  I really have no complaints at all from the day.  The weather was good when I needed it to be, and I had great conditions with the waterfalls.  It was a great day, and it was sure nice to get out and go for a nice long hike.  I needed the recharge!

Another Day on Foot at Home

Sunday, December 10, 2017

Another Winter

OK, so the roads are fine and I could drive anywhere I wanted to today.  Normally, I would take advantage of that fact and head out to go hiking or maybe do the rural exploration thing.  However, I had so much fun yesterday just walking around the neighborhood, I decided to keep with that theme for the weekend.  I couldn't help but think to myself that a photographer worth his salt would be able to make great images close to home as easy as if there was a long road trip involved.  We had snow on the ground, and that changed so much of the landscape, and since that was what I would be photographing, I didn't see a reason that I couldn't shoot the snow that was close by.

I woke up shortly after sunrise, and considered my options.  I had gone to sleep last night expecting to wake up to mostly clear skies with snow still on the ground.  The plan was to walk about a mile away from home to an old farmhouse that has been abandoned for many years now.  That was the plan.  That bed felt very good though, and I was more than happy to stay in it and rest a little more.  But part of being a photographer is getting up early for no other reason than the light is better at the beginning of the day.  Since I was close to my subject, I was already getting to sleep in late as it was.  I guilted myself out of bed for the sole reason of, "the snow won't be here forever."  If I passed up on this opportunity, I might not get another chance this Winter.

I got moving slowly with every expectation that I would talk myself out of going to the old farmhouse.  I mean, I have been there about a half dozen times over the years and have photographed it in lots of different conditions.  But there was snow today, and that was not a regular occurrence here in Winston.  But what if I walked the mile out there, and the light is wrong?  What if I can't get any good images?  I could just stay home.  I'm a photographer (insert expletive here)!!  I will go out and try it to see what I can do with the scene.  I had a previsualization of what I was expecting after all.

Shadow of the Tree

When I got outside, I could see that the sky was nice and blue to the North, and the sun was providing some really good light.  As I walked, I could see that the trees were still holding onto the snow that was covering the branches.  It was mostly ice by this point, but it was still there.  If I was lucky, I would get to benefit from this with the trees near the house.  There was very little traffic on the roads and it was almost a nice walk with the warm sun shining on me.  My fingers were numb, but I expected that and had gloves if I needed them.

When I got out onto the main road, I could see the house in the distance.  The light was hitting it just the way I was hoping that it would.  There was a warm glow on the side of the house which was important since it was a white house, and I didn't want it to blend into the snow too much.

Come, Sit a Spell in B&W

When I arrived, the snow was mostly untouched except for deer tracks which I could easily live with.  Having shot this scene many times, I knew that the best lens for the task was my 24-70mm which gave me the option of shooting wide, as well as getting in and doing isolations on the house.  I started off with a pretty standard quarter shot from the driveway.  Looking at the deep blue of the sky and the clouds, I was thinking about doing some monochrome images to really make the snow, and the siding pop.  I grabbed my Singh Ray Color Combo Polarizer to help with the contrast in the sky.

Something that I just love about this old house is the condition of that siding.  The paint has been peeling for years, and there are holds developing in different areas.  There is just so much to see on this siding.  The textures more than make up for the lack of actual color on this house, although the chimney does stand out against the white quite well.  There are also a couple of really interesting trees on the property that I can include in different ways with different compositions.  This is just a really fun little place to shoot.

Essentially Bare

With the blue sky and snow, the trees actually took on a whole new importance to my compositions.  The way they were almost growing around the house was too interesting to pass up, and I was lucky enough to still have the benefit of the snow on the branches.  Like yesterday, that really helped to define the lines of the branches and help the eyes see the flow of the limbs.  In the composition above, the story is actually the tree, and the house becomes a secondary element.  The framing really shows how the tree mimics the roof line of the house, and they really seem to belong together.  The blue sky highlights the entire picture, and draws your eye right to the tree.  The wooden door and chimney provide some much needed visual warmth to the image that is so predominantly cool toned.

Winter Arrives

When I backed up a little bit, there was another really large tree that also favored the shape of the house.  By getting a nice wide angle composition, I was able to use the foreground tree as a framing element for the entire house.  For a bit of added visual interest, I would wait for the clouds to move away from the sun so that a shadow could be cast.  Now, the tree not only frames the house, but is tattooed onto the house itself.  This is a great example of having two different elements connected to each other, and enhancing each other.  An image like this would not have had near the impact without the snow on the ground, so I was really thankful that I pulled up my photographer britches and braved the cold morning to get these pictures.

No Warmth Here

Speaking of the cold, it was right chilly out there standing in the snow.  The blue sky and the cooler color temperatures of late morning were starting to really flatten the image and I needed some help from the warm tones that were present.  The best source of (visual) warmth was the chimney on the side of the house.  One of the last few images of the morning featured that chimney as an attempt to balance out the color pallet in the image.  It succeeded in bringing in a lot of visual warmth that complimented the blues quite well.  The tree behind the house was a nice bridging element to break up the white of the house and snow, against the light gray of the clouds.  The composition worked very well, but I was still quite cold, and wondered when the last fire was ever burning in that fireplace.

Come, Sit a Spell

Funny thing about this old house...I have lived in my house since 2001.  I drove past this house at least once a week and never really noticed it.  In fact, it wasn't until sometime around 2008 that I started to pay any attention at all to this house.  I was still getting started in photography and was leaving the house one day and happened to see the sun really lighting up the side of this farmhouse.  I think it was in June or July, around the middle of the day.  The sun was very harsh, but I started to shoot it anyway.  I even lucked up and got a cat in a few of the pictures.  The final images were all really good, and some of my best rustic pictures to date.  

Since that time, I have ventured back to it many times.  I have seen the aging process at work on the house, and have started to feel a connection to it.  I don't know how much longer this house will remain here, but I do hope that it is a lot longer.  Every year or so, I get the urge to go back and document the current condition it is in.  It fits very well with my wabi sabi approach to photography, and I'm pretty sure that I am documenting something that won't be around much longer.  That is a pretty important reason to get out there and make pictures.

Tall Tales

of course, every time that I am out here with my camera, I keep wondering to myself about what all this house has been through over the years.  I know that it has a lot of stories, and has seen generations growing up up.  There have been tears dropped on the floors, celebrations had within the walls, and friendships developing on the front porch.  These days, it is wood and brick sitting beneath trees that were just saplings when the house was new.  In the passage of time, there is beauty.  As nature reclaims the property, there is beauty.  It is hard to deny that there is a lot of beauty around this old farmhouse.  I'm just glad I'm able to photograph it and hold onto that beauty for a little while.

I wrapped my day up with just over 40 frames shot of this house.  Of that, you can see I have a bunch of keepers.  Considering that I haven't driven a single foot this weekend, I have really been fortunate with the camera to have captured all that I have.  It just goes to show that if you look close enough, there is beauty to be had anywhere.  A photographer doesn't need to travel hours away in order to capture a meaningful image.